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ONLY CHILD

A powerful exercise in empathy and perspective.

The aftermath of a school shooting, told from the point of view of a first-grader who hid with his class in a closet while his 10-year-old brother and 18 others were massacred.

“The thing I later remembered the most about the day the gunman came was my teacher Miss Russell’s breath. It was hot and smelled like coffee.…POP POP POP. It sounded a lot like the sounds from the Star Wars game I sometimes play on the Xbox.” Like Emma Donoghue’s Room, Navin’s debut takes the risk of narrating a gruesome modern tragedy in the voice of a very young player. At 6, Zach Taylor comes only slowly to understand what has happened that day at school. He is with his mother at the hospital waiting to see if his brother, Andy, is among the wounded when his father arrives. “Daddy’s face was like a grayish color, and his mouth looked all funny, with his lower lip pulled down so I could see his teeth….First Mommy’s eyes got really big, and then her whole self started shaking and she started acting crazy. She yelled, 'Jim? Oh my God, no no no no no no no no no!'” Because Andy had oppositional defiant disorder and was routinely unkind to him, Zach wonders at first if perhaps his death will be an improvement. During what he perceives as the “party” that goes on at his house after the massacre, he sequesters himself in his brother’s closet and imagines life as an only child. “Like they could both come to my piano recitals and they could both stay for the whole time.” Soon he sees just how wrong he is, as every cherished ritual of his life is pitched overboard, his mother changes into someone he doesn’t know, and he is tormented by nightmares and uncontrollable rages. Since his parents are preoccupied to the point of cruelty and don’t get him professional help, he is on his own in figuring out how to cope. His touching tactics include assigning colors to his feelings and making paintings of them and studying the “secrets of happiness” purveyed in the Magic Treehouse series. Seems like a lot of people, and not just the ones in this novel, need to reread those books.

A powerful exercise in empathy and perspective.

Pub Date: Feb. 6, 2018

ISBN: 978-1-5247-3335-3

Page Count: 304

Publisher: Knopf

Review Posted Online: Nov. 11, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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