A well-crafted biography of a lesser-known singer who deserves many more tributes.
In spite of sexism, the singer also known as “Egypt’s Fourth Pyramid” built a storied career with her voice and integrity.
Growing up in a village where few families believed in educating their daughters, Umm Kulthum (1898-1975), who was named after a daughter of the Prophet Muhammad, defied expectations early by memorizing the Qur’an. Described as “no ordinary girl,” she became known across the countryside for her resonant voice. She appears here with a large head that’s disproportionate to her body and a face that betrays every emotion. In full-bleed, double-page illustrated spreads, bright lights and dark shadows present realistic scenes with abstract whimsy, an approach that’s by turns affecting and off-putting. The cartoony facial expressions are an odd complement to the text’s length and seriousness. Still, the fascinating dimensions of Umm Kulthum’s life journey keep the story engaging, while the narrative’s thoughtful context provides down-to-earth perspectives of Arabs’ joys and struggles against colonial rule. Desert tones and Egyptian motifs pay homage to the culture Umm Kulthum so glorified with her classical religious music and “traditional ways.” A primer on Arabic instruments, a note about the author’s own connection to the singer, and a bibliography offer excellent jumping-off points for interested readers. They’ll also want to search for a recipe of Umm Kulthum’s favorite dessert, “a milky, creamy, heavenly pudding called muhalabiyah.”
A well-crafted biography of a lesser-known singer who deserves many more tributes. (Picture-book biography. 4-8)Pub Date: Nov. 26, 2024
ISBN: 9781623716608
Page Count: 48
Publisher: Crocodile/Interlink
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
BOOK REVIEW
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.”
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
A resplendent masterpiece.
Based on her experience of leaving Mexico for the United States, Morales’ latest offers an immigrant’s tale steeped in hope, dreams, and love.
This story begins with a union between mother and son, with arms outstretched in the midst of a new beginning. Soon after, mother and son step on a bridge, expansive “like the universe,” to cross to the other side, to become immigrants. An ethereal city appears, enfolded in fog. The brown-skinned woman and her child walk through this strange new land, unwilling to speak, unaccustomed to “words unlike those of our ancestors.” But soon their journey takes them to the most marvelous of places: the library. In a series of stunning double-page spreads, Morales fully captures the sheer bliss of discovery as their imaginations take flight. The vibrant, surreal mixed-media artwork, including Mexican fabric, metal sheets, “the comal where I grill my quesadillas,” childhood drawings, and leaves and plants, represents a spectacular culmination of the author’s work thus far. Presented in both English and Spanish editions (the latter in Teresa Mlawer’s translation), equal in evocative language, the text moves with purpose. No word is unnecessary, each a deliberate steppingstone onto the next. Details in the art provide cultural markers specific to the U.S., but the story ultimately belongs to one immigrant mother and her son. Thanks to books and stories (some of her favorites are appended), the pair find their voices as “soñadores of the world.”
A resplendent masterpiece. (author’s note) (Picture book. 4-8)Pub Date: Sept. 4, 2018
ISBN: 978-0-8234-4055-9
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: July 31, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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