To be continued in a new country that promises even more culture shock for the family—and hopefully as much potency as the...
Further episodes in the author’s boyhood as illuminated through this highly praised, multivolume graphic memoir.
As the blond-haired son of a French mother and a Syrian Muslim father, Sattouf (The Arab of the Future, Volume 2, 2016, etc.) recounts his years of being shuttled between their homelands and finding ridicule as a foreigner in each. Here, the author is 7 and living in Syria, where the other children call him “Frenchy” and taunt him to speak that gibberish language. He also had occasion to reveal his uncircumcised penis, which was unlike those of the other boys and even his father, a self-proclaimed “Modern Muslim.” Educated in France to be a university professor, his father brought his family back to Syria in the face of discrimination against Arabs, trying to find benefactors who would help him achieve a standard of living that would please his wife. But there was little that pleased her; she hated living in Syria and missed her homeland. “You French women, you always want everything right away,” Sattouf heard his father tell his mother amid their constant quarreling. “Syrian women don’t question their husbands. They do what they’re told and that’s it.” Unlike the devout surrounding them, their household didn’t have much faith in the god of any religion, a skepticism shared by the author, who continued to believe in a Santa Claus who delivered less consistently in Syria than he had in France. Eventually, he fell deeply under the spell of Conan the Barbarian, procured from the video store, and observed his first Ramadan. It appeared that nothing could rescue this family from cultural deadlock, but then everything clicked: Sattouf’s father made a crucial connection, his mother became pregnant and returned with the author to France to await the birth, and, when they returned, the father told them of a new job and new adventures, which we will see in the fourth volume.
To be continued in a new country that promises even more culture shock for the family—and hopefully as much potency as the first volume.Pub Date: Aug. 7, 2018
ISBN: 978-1-62779-353-7
Page Count: 160
Publisher: Metropolitan/Henry Holt
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.
A new life and book arise from the ashes of a devastating California wildfire.
These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.Pub Date: March 5, 2019
ISBN: 978-1-4197-3585-1
Page Count: 160
Publisher: Abrams ComicArts
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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