An affecting set of poems about family, resilience, and moving forward.
A bilingual collaboration between several Mexican and Mexican American authors.
Ruiz describes this collection as a “poetry pulley” that “reel[s] in the poems made by rural poets with their friends, neighbors, co-workers and family,” including several Mexican immigrants and his own brother, who works for U.S. Immigration and Customs Enforcement. The poems are presented in both English and Spanish, with shared bylines between Ruiz and his collaborators and some of Ruiz’s solo work mixed in. Many of the 13 contributors—most of whom are identified by their first names only—work agricultural jobs; some lack documents, and a few survived human trafficking. The book’s various sections address the stress of migration, the anxiety of deportation, and the difficult reality of pursuing the American dream. One of the uses of poetry is to provide catharsis that journalism and even memoir can’t facilitate. Centavo, one poet, recounts selling cannabis as a child with a local gang to help his parents: “They would come and get me— / my backpack full and / it wasn’t just weed any more. I moved other shit: / Ten thousand pesos for one trip.” In another poem, David Ruiz (the author’s brother) grapples with his role as an ICE officer: “Imagine that you’re established here. You got / your kids to pick up from school. / You own two cars and / you got a job— / and I’m supposed to pick you up and send you back.” The starkness of the language makes the speakers’ surveys of past wounds feel even more acute. Some longer works braid several perspectives together, such as one that puts David Ruiz and multiple other contributors in conversation as two sides of an interaction at the Mexico–United States border. Ruiz’s solo works provide a sort of bridge, offering accounts of an experience between two worlds. The power in all these poems is not in their desire to convince, to cause guilt, or to inspire but in plainly laying out the many costs that one pays to live in America.
An affecting set of poems about family, resilience, and moving forward.Pub Date: May 3, 2022
ISBN: 9798985263220
Page Count: 212
Publisher: Pulley Press
Review Posted Online: Jan. 31, 2023
Kirkus Reviews Issue: March 15, 2023
Review Program: Kirkus Indie
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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