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IT RHYMES WITH TRUTH

A masterfully controlled tear-jerker of a novel about found family.

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In Miller’s debut literary novel, a runaway unexpectedly comes to rely on an elderly woman.

The unnamed boy who narrates the novel first encounters Ruth while he’s smashing sunflower seeds with a rock outside her apartment. Ruth is a patient, joke-loving elderly woman who lives in a retirement community. The narrator is a grumpy, unhoused 8-year-old who hates approximately “573” things, including lollipops, home renovation shows, and anything that doesn’t make sense or wastes time. After Ruth slowly gains the boy’s trust by offering him cookies over a few days, the two build up a dialogue over games of hearts and televised baseball (the boy is a devoted collector of baseball cards). When it becomes clear that the boy has nowhere else to go, Ruth invites him to stay on her couch. She has a few ground rules related to the bathroom and the remote control, but Ruth seems especially set on one rule: “Under this roof,” she tells the boy, “there’s no talking about the past. No asking me how I got here. No asking what happened to me the day before we met, or the week before, or a year ago, or 10 years ago, or 70 years ago. That goes for both of us, including you.” The boy agrees, though his residence must remain a secret due to the rules of the retirement community. Life is good for a time; the boy hides under the sink whenever anyone comes over, and Ruth sneaks him food from the cafeteria. She encourages the boy to let his guard down and appreciate the good things in life, though he resists as much as he relents. But after an accident suffered during an impromptu vacation results in a dramatic shift in Ruth’s personality, the boy is forced to adapt—and learn about the interconnectedness of love and loss.

The boy narrates the story from the cusp of his adulthood, referring to Ruth as “you.” He channels his younger worldview as he does: “I tried not to think about cookies. I flipped through the puzzle book to distract myself. I told myself I would never go back to see you. Never ever. Not even for $1,000,000 worth of donuts. I started working on a medium-hard puzzle, messed up right away, and ripped the page out of the book.” The relationship between Ruth and the boy in the first half of the novel is a bit reminiscent of the film Harold and Maude (minus the romantic element); Ruth is a bighearted, language-loving extrovert who delights in nearly everything. Miller’s innovation comes in the book’s second half, when Ruth’s kindness to another boy backfires horribly, forcing the narrator to become her caretaker. From then on, the novel becomes an increasingly heartbreaking story of the boy realizing who Ruth really is to him and what he needs to be to her. Miller’s deeply felt tale illustrates how life’s greatest challenges always arrive before we’re ready for them, and how they shape us into the people we become.

A masterfully controlled tear-jerker of a novel about found family.

Pub Date: June 21, 2024

ISBN: 9798990770904

Page Count: 230

Publisher: Lost Pictograph Publishing

Review Posted Online: June 20, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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