VALLEY FORGE

Noting that the Continental Army’s winter at Valley Forge has become “a saga wrapped in myth and legend,” Ammon uses a mix of primary and secondary sources to separate fact from fiction. In topical passages, between accounts of Washington’s appointment as commander-in-chief and the army’s June 1778 march to the battle of Monmouth, the author chronicles Washington’s effective style of leadership, introduces Lafayette and Von Steuben, and describes how the ragged, ill-supplied troops survived disease, privation, and dreadful weather to emerge as a cohesive, trained fighting force. He includes a snatch of song, highlights the soldiers’ ethnic and cultural diversity, and even mentions camp followers. But the value of his account is not enhanced by the illustrations; instead of period images, modern views of the site, or even a map or two, Farnsworth’s full-page paintings offer generic, idealized, heroically posed figures, usually in static compositions, that provide more of a patriotic backdrop than a sense of time or place. This could supplement, but not replace, Richard Conrad Stein’s Valley Forge (1985), or Libby Hughes’s more detailed Valley Forge (1998). (Picture book/nonfiction. 7-9)