A fascinating, visually rich exploration of Chinese writing and the public culture it sustains.
The art of Chinese calligraphy as practiced in one of its most vibrant settings is celebrated in this lavishly illustrated study.
Aston, whose previous book was Views From Gold Mountain (2019), recaps the history of calligraphy—the painting of Chinese characters—both as a 3,000-year-old writing system and as an almost abstract artistic form. He starts with the development of Chinese characters from ancient pictograms that evolved over centuries into ideographic symbols of related ideas. (Depictions of a bird’s claw took on the meanings “scratch” and “grasp”). Aston goes on to examine traditional calligraphy instruments—brushes, ink sticks, delicately surfaced ink stones, paper made from mulberry bark—and traces the emergence of distinctive character scripts, from the formal Li Shu clerical style to the informal, cursive style known as Cao Shu, which can be as illegible as a scrawled signature. He also explores the artistic tradition of calligraphy, which in China was the province of gurus who devoted their lives to it—“One morning he did his daily practice, laid down his brush, looked at his work, smiled, and then died—perfection attained at last,” Aston writes of the legendary 16th-century calligrapher Wen Cheng-ming—and its influence on Western artists like Degas, Toulouse-Lautrec, and Van Gogh. Half the book consists of full-color photos of San Francisco’s Chinatown, where Chinese calligraphy meets Western graphic pizzazz. The photos run the gamut: fat white characters like blossoms on red banners; a bank sign in elegant gold characters on polished black stone; yellow-on-red characters on a baby sling, etc. These images captivate both for their aesthetic appeal and for the meaning and structure they bring to the everyday life of bustling Chinatown. Aston’s writing wears its considerable erudition lightly, conveying a wealth of lore in workmanlike prose that sometimes reaches for Zen lyricism. Fans of Chinese art and San Francisco will find much to love here.
A fascinating, visually rich exploration of Chinese writing and the public culture it sustains.Pub Date: N/A
ISBN: 978-1-7338987-1-3
Page Count: 138
Publisher: Sixth Avenue Books
Review Posted Online: Aug. 4, 2022
Review Program: Kirkus Indie
BOOK REVIEW
PERSPECTIVES
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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