by Richard Beck ‧ RELEASE DATE: Aug. 4, 2015
An intriguing but uneven treatment of a subject that has not received much attention in years.
An attempt to explain the hysteria that surrounded the child sex abuse cases that swept the United States in the 1980s.
Beck, associate editor of n+1, argues that the sexual revolution of the 1960s and ’70s triggered a backlash from conservatives in the ’80s, which caused widespread panic about child abuse in the preschools. The McMartin Preschool case in Manhattan Beach, California, one of the longest and most expensive in American history, takes center stage, with individual chapters on allegations, the preliminary hearing, the trial, and the verdict. The author also cites another California case and ones in Michigan, Texas, Florida, and Massachusetts. Through interviews and archival research, Beck shows how therapists and detectives (the line between them is blurry) induced youngsters to tell wild, even fantastic, tales of sexual abuse, sometimes involving bloody Satanic rituals, by their caretakers. The title comes from posters carried by parents in Manhattan Beach incensed that their children’s incredible stories, not backed by actual evidence, aroused skepticism in some quarters. Beck also shows the role of the media and of overeager prosecutors and mental health professionals in creating a situation that destroyed the lives of innocent people, many of whom spent years in jail. Comparisons with the Salem witch trials are inevitable, but the author points out a difference: the victims of that one later received apologies. Beck sees the day care trials as a warning from conservatives to career-minded mothers who chose to pursue lives outside the home and entrust their children to others. He looks to the source of the hysteria in people’s fears about the social changes taking place in American society. Unfortunately, the author devotes much more of his text to a rehash of the McMartin case and less to exploring theory about the causes of the hysteria surrounding child sexual abuse.
An intriguing but uneven treatment of a subject that has not received much attention in years.Pub Date: Aug. 4, 2015
ISBN: 978-1-61039-287-7
Page Count: 368
Publisher: PublicAffairs
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: June 1, 2015
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PROFILES
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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