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A MAN OVERCOMES THE TRAGIC AFTERMATH OF CHILDHOOD SEXUAL ABUSE

A scandal broke out a few years ago when American University president Berendzen was caught making sexually oriented phone calls to strangers. Here, Berendzen (Is My Armor Straight?, 1985) and Palmer (Shrapnel in the Heart, 1987) team up to tell the harrowing story of the academician's childhood sexual abuse—abuse that festered until its tragic eruption during middle age. Berendzen's mother first seduced the author when he was eight and continued until he was eleven, stopping for reasons as unspoken as her motivations for the abuse in the first place. Berendzen blocked the episodes from his consciousness and lost himself in work, becoming an astronomer, a professor at Harvard, and, finally, president of AU. Workaholism had destroyed his first marriage, but his second was happy and stable, as wife Gail worked with him to upgrade AU's image and put it on the road to financial prosperity; together, they became prominent on the Washington social scene. But, gradually, disturbing compulsions began to intrude upon Berendzen's carefully controlled life. He found himself making furtive phone calls to day-care providers who had advertised in Washington newspapers. He would quiz them about sexual activities with children and lead them on with confessions of his own invented exploits. The author never linked the calls to what he'd suffered, and, he says, never got sexual pleasure from them: He was trying to find out, in a confused way, what makes adults use children for such sick purposes. One woman decided to trap Berendzen and taped his calls: Exposed and forced to resign his position, he entered the John Hopkins clinic for sexual disorders and began to face his past. Berendzen's story of his recovery, his wife and daughter's steadfastness, his efforts on behalf of other abuse survivors, and his final forgiveness of his parents is told with honesty, eloquence and humility. An inspiring and compelling work. (Photographs—not seen)

Pub Date: Sept. 1, 1993

ISBN: 0-679-41777-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1993

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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