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THE EAST, THE WEST, AND SEX

A HISTORY OF EROTIC ENCOUNTERS

A diligent scholar pursues a subject given to theories of exploitation and dehumanization, but intriguing any way you look...

An investigation of the Western male’s age-old attraction to Asian women.

International Herald Tribune columnist Bernstein (Ultimate Journey: Retracing the Path of an Ancient Buddhist Monk Who Crossed Asia in Search of Enlightenment, 2001, etc.) begins with the story of ChinaBounder, a foreign English teacher in Shanghai who boasted on his blog that he could have unlimited sex with Chinese women. The author attempts to trace this long-running East-West sexual fascination and finds the underlying reasons as pertinent today as they were when British diplomat Paul Rycaut’s The Present State of the Ottoman Empire (1668) first titillated readers with details of the Eastern harem. Western conquest and colonialism translated into Eastern slavery and submission, setting the stage for Eastern reception of Western desire. In his loose-limbed style, Bernstein illustrates this development with solid examples throughout literature. These include the central crisis in the Iliad, in which Agamemnon steals Achilles’s beloved slave companion, Briseis; the passion of Antony for Cleopatra; Marco Polo’s fabulous descriptions of Kublai Khan’s permissive court, and other stimulating travel accounts by Sir John Mandeville and Ludovico di Varthema; and the work of Gustave Flaubert and Richard Burton (both aficionados of prostitution while traveling in the East) as a kind of “sexual and cultural liberation movement” in an era of the emerging bourgeoisie. The author chronicles the various “phases” in this long erotic encounter, including the British nabob in India, the French lusting for Moorish women in Algeria, the war-time occupiers of Japan and Vietnam and the current trend of post–middle-aged Western men taking up marriages in Thailand. In an effort to be fair and nonjudgmental, Bernstein offers feminist viewpoints as well.

A diligent scholar pursues a subject given to theories of exploitation and dehumanization, but intriguing any way you look at it.

Pub Date: June 2, 2009

ISBN: 978-0-375-41409-1

Page Count: 352

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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