by Richard Bode ‧ RELEASE DATE: May 21, 1993
Good-natured parables in which the lessons learned from sailing are translated into lessons about living. Bode (Blue Sloop at Dawn, 1979) looks back across a half century to his boyhood years on Long Island Sound, where he fell in love with boats and learned to sail. In the title piece, the author, as a 12-year-old eager to sail, is first made to row a small boat, and from the experience comes to understand the importance of mastery not over the boat or the elements but over himself. Sailing with a favorable wind teaches him the dangers of complacency and, from a frightening collision, he learns to handle his fears about the unpredictable. Even sailors' knots become metaphors as Bode likens a sturdy square knot to a good marriage and an improperly tied granny knot to a mismatched couple who ``scrape and chafe against each other.'' Getting lost in fog teaches him not to thrash about wildly in confusion but to wait calmly for ``the one constant in the swirling mist that would set me on my rightful course''—a lesson that serves him well in midlife when his private life collapses and he's lost in a different kind of fog. Sailing also teaches him to attend to details, for, as he puts it, ``everything significant is small and slow.'' A frequent contributor to Reader's Digest, Bode is adept at pulling messages out of ordinary experiences. The images he creates are simple and clear, and so are the lessons he derives from them. A warm, fuzzy read for those who like to curl up with cozy philosophizing.
Pub Date: May 21, 1993
ISBN: 0-446-51681-3
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
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by Richard Bode
by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
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