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HOW TO WRITE LIKE TOLSTOY

A JOURNEY INTO THE MINDS OF OUR GREATEST WRITERS

Mostly standard writing advice, minus the bullet points, plus the gleanings from a lifetime of reading and thought.

A veteran editor, teacher, and author assembles some advice for aspiring writers of fiction.

Cohen (Chasing the Sun: The Epic Story of the Star that Gives Us Life, 2010, etc.) tells us that his new volume began “as an outflow of my university teaching,” and in some ways, the lecturer’s tone remains. For each of his points, the author mines his own vast reading, with names like Tolstoy, Twain, Updike, Dickens, Eliot, and other notables appearing continually, and he has a fondness for occasionally declaring what is the best: James Wood is the best book critic today (difficult to argue with that); F.L. Lucas’ Style is the best book about rhythm and writing. Cohen’s myriads of examples are lush and instructive though sometimes quite elementary. He takes a little time, for example, to explain what iambic pentameter is; it’s hard to imagine that the readers of this book would not know such a thing. Organized topically—beginnings, point of view, dialogue, rhythm, sex, endings—the book generally surveys the literary history of the topic, offers some prescriptions and proscriptions, and concludes with some advice for the novice—e.g., “simple clear prose is not the only way to write, but it is the best.” Along the way, Cohen delivers a few sharp jabs at some writers—Michael Holroyd’s writing, he writes, has grown “slipshod”—but for the most part, he is a generous tour guide through his literary world and generally favors positive over negative examples—though there are plenty of the latter. Perhaps most engaging are Cohen’s occasional anecdotes about his own experiences as a writer and editor and—in one extensive case—literary friend: he tells a fine story about how Richard Holmes developed the idea for his Footsteps (1985).

Mostly standard writing advice, minus the bullet points, plus the gleanings from a lifetime of reading and thought.

Pub Date: May 31, 2016

ISBN: 978-0-8129-9830-6

Page Count: 320

Publisher: Random House

Review Posted Online: March 13, 2016

Kirkus Reviews Issue: April 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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