Tell-all journal of the hedonism, profligacy, and perversity of the Seventies supergroup that went down in flames. Led Zeppelin was assembled by former Yardbirds guitarist Jimmy Page; 14 months after their first performance, they had a recording contract with Atlantic, were playing 20,000 seat arenas, and had been offered a million dollars for a single performance. Cole (here ably assisted by journalist Trubo) was the group's tour manager and road companion for 12 years. What happens when four men, some not yet of majority, become rich as Croesus in 20 months, have more women than imaginable throwing themselves at their feet, and unlimited alcohol, drugs, and servants as well? Cole is astoundingly clear on the details- -offhandedly honest as he is about his own gargantuan appetite for heroin and booze—and lays out the road life with all the real nitty-gritty, including the 14-year-olds Page craved, room demolitions, cross-dressing, and the infamous fornication-by-fish episode. The inevitable center of gravity of Cole's saga is the tragedy of John ``Bonzo'' Bonham, the band's drummer, dead of alcohol overdose at age 32. Bonham—a monster with his addiction fully blown, his short life drowning in a sea of alcohol—is by turns grandiose, despairing, manipulative, passionate, violent. Invited backstage to a Ten Years After Concert, he throws orange juice on Alvin Lee—the most respected guitarist of his generation—as Lee performs, then staggers on stage and rips his clothes off, defecates in women's handbags and shoes, and passes out in the gutter outside his $500 hotel room. And everywhere around him are the enablers, feeding him more alcohol, cocaine, heroin. Lacks the depth of Stephen Davis's Hammer of the Gods (1985) but dishes up the real dirt as only an insider's report can. (Photographs—not seen.)
Pub Date: Aug. 3, 1992
ISBN: 0-06-018323-3
Page Count: 416
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1992
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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