by Richard Dawkins ‧ RELEASE DATE: Sept. 17, 2019
Dawkins sings to the choir, though like-minded unbelievers will find ample support for their beliefs—or lack thereof.
Atheist proselyte and biologist Dawkins (Science in the Soul: Selected Writings of a Passionate Rationalist, 2017, etc.) sounds well-tested themes against the existence of supreme beings.
In the author’s view, religion is a species of “pigeon-like superstition,” something that parents tell children because their parents told them things were how they were because—well, because some god or gods made them so. In times past, we might have believed in pixies, sprites, or Olympian gods; now monotheistic strains of religion are the order of the day. Once a person learns about natural selection, writes Dawkins, things change. When it becomes clear that human DNA is, among other things, “a set of instructions for how to build a baby,” then some of the old mystery wears off and the thinking adult finds no need for belief in invisible deities. Dawkins scores some good points, observing, for instance, monotheism as practiced by Christianity and Islam is “rather suspect,” since its belief in an almost equal but opposite devil is ipso facto polytheistic, and the whole trinity thing of Christianity “sounds like a formula for squeezing polytheism into monotheism.” The author’s dismissal of religion, to say nothing of religious impulses, may well strike some readers as cavalier. And in some ways, his reasoning has not evolved substantially since he, as a former Church of England lad, decided that if he had been born to Vikings, he would be worshipping Odin, and if to Jewish parents, he would still be awaiting the messiah. In the end, Dawkins characterizes religion as fake news, the kind of thing that the internet proves daily—namely, that “people simply make stuff up.” A little Dawkins-ian snark—believers believe because ”they aren’t well educated in science”—goes a long way, but there’s plenty of food for thought here.
Dawkins sings to the choir, though like-minded unbelievers will find ample support for their beliefs—or lack thereof.Pub Date: Sept. 17, 2019
ISBN: 978-1-984853-91-2
Page Count: 304
Publisher: Random House
Review Posted Online: June 10, 2019
Kirkus Reviews Issue: July 1, 2019
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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