Entertaining and detailed, if overly reverential.
A lively portrait of the legendary New York crime reporter and columnist.
In this expansive, laudatory biography of the celebrated and often controversial journalist (1928-2017), Esposito, himself a veteran print and TV reporter as well as Breslin’s former newspaper colleague, meticulously chronicles his coverage of major events that shaped New York City. The book begins with Breslin’s reporting on the Son of Sam murders in 1977, including the exclusive letter he received from the killer, which exemplified his knack for being at the center of major stories. It also established his celebrity status: “With Son of Sam, Breslin knew he was ready to become even bigger, to become larger than life to an audience of millions.” Esposito explores Breslin's connections to underworld figures, showcasing his ability to navigate both the streets and the corridors of power. His infamous interview with Mafia boss Jimmy Burke (immortalized as Jimmy Conway in Goodfellas) and his coverage of the John Gotti trial demonstrate Breslin's unparalleled access to New York's criminal underbelly and highlight his distinctive style of reporting as storytelling, giving voice to a broad range of people he encountered in local bars and other urban venues. “Some would call this the heart of the New Journalism,” writes Esposito. “Breslin described it as the old journalism, saying that the only thing he and his colleague Tom Wolfe had discovered was that storytelling had been lost in journalism.” Esposito offers insights throughout into Breslin’s methods and the changing landscape of newspapers during his career. While his admiration for Breslin’s journalistic prowess and stature as a significant figure in American journalism is understandable, the book could have benefited from a more nuanced, less sycophantic perspective; it occasionally reads more like a eulogy than a balanced account.
Entertaining and detailed, if overly reverential.Pub Date: Oct. 15, 2024
ISBN: 9781613165775
Page Count: 360
Publisher: Crime Ink/Penzler
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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