Despite a promising premise, the book tries to do too much and never quite gets off the ground.
An ambitious debut novel about a plane crash investigation and the solitary survivor of the deadly accident.
Farrell tells two parallel stories that eventually intersect. Charlie Radford, who works for the National Transportation Safety Board, is on his first big assignment—probing the midair explosion of a passenger jet over southwestern Kansas. A would-be pilot grounded because of a heart condition, Charlie is anxious to prove himself and overcome feelings of inadequacy, engendered in part by his remote, alcoholic father. Erin Geraghty, a lawyer and mother of two, is chafing in a lackluster marriage (she’s also having an affair) and dealing with a recent diagnosis of pancreatic cancer. One day she boards a flight from Washington, D.C., to San Francisco that never reaches its destination. The author is good at building suspense around the cause of the air disaster as well as the fate of its unlikely survivor—a woman passenger who apparently tumbled through the sky and landed in a barn. He’s also good at describing the politics surrounding the investigation and the personalities of the NTSB team. A former pilot himself, he writes vividly, at times rhapsodically, about flying. Not so persuasive are his domestic scenes—for example, Charlie’s dust-ups with his wife, Wendy, who desperately wants a baby (Charlie resists); and Erin’s arguments with her lover, Adam, who presses her to reveal her identity as the “falling woman” (she demurs). Sole survivors of commercial plane crashes are not unheard of—the recent novel Dear Edward, about a young sole survivor, is based on a true story. Yet a number of plot points here strain credulity. And the musings on bravery, betrayal, the randomness of fate and the extraordinariness of the ordinary feel prosaic.
Despite a promising premise, the book tries to do too much and never quite gets off the ground.Pub Date: May 19, 2020
ISBN: 978-1-61620-857-8
Page Count: 336
Publisher: Algonquin
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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