The Wild West earns its name all over again in this lovable chronicle of small-town insanity.
A prodigal daughter returns to her hometown in Montana to make amends; mayhem and hilarity ensue.
When Rachel Flood returns to Quinn, population 956, moving into the ruined trailer bequeathed her by her father, the reception is cool. Her mother, Laverna, who owns a bar called The Dirty Shame, is "surprised that her daughter had shown up to claim the inheritance. Laverna thought of Rachel the same way she thought about the time her appendix had burst—sometimes things could come from inside your body and suddenly betray you, nearly killing you." And that's one of the more positive reactions. Growing up in Quinn, blonde, beautiful Rachel was the town slut, blamed for countless divorces, a murder, and a robbery. Nine years later, she's gotten sober in Alcoholics Anonymous and returned against her sponsor's advice to make amends. The trailer she's inherited is next door to her former best friend, Krystal, who's now shacked up with a horrible, damaged man named Bert, their baby, and Krystal's older child, 12-year-old Jake. Young Jake is debut novelist Fifield's finest creation, his outfits and obsessions (Madonna, Jackie Collins, Erica Kane) laid out in loving detail. "He dressed in satin pajamas, lime in color, and...sprayed his quilt with a bottle of Lady Stetson perfume, another thrift store find, the contents stretched with tap water." Other characters include Black Mabel and Red Mabel—"While Black Mabel dressed to instill fear, Red Mabel would just as soon punch you in the face"; Buley Savage Connor, a morbidly obese, 60-year-old thrift store proprietor; Rocky Bailey, her 30-year-old boyfriend; Martha Man Hands; Jim Number Three; and packs of lesbian silver and talc miners. Several of the above play on The Dirty Shame's women's softball team, whose 1991 season defines the arc of the tale. It includes bar fights and AA meetings, a parade, a wedding, and a black bear, all of which Fifield juggles beautifully until the ending, which feels both inevitable and wrong. Read it anyway.
The Wild West earns its name all over again in this lovable chronicle of small-town insanity.Pub Date: Feb. 2, 2016
ISBN: 978-1-4767-9738-0
Page Count: 336
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Nov. 3, 2015
Kirkus Reviews Issue: Nov. 15, 2015
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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