by Richard Fletcher ‧ RELEASE DATE: July 1, 2003
Graceful examination of the intricate tapestry of a culture so distant in time and temperament as to be virtually...
A swift and, by necessity, highly speculative account of a some murders between 1016 and 1074 that reveal much about 11th-century English politics, religion, codes of honor, and kingship.
British scholar Fletcher (The Barbarian Conversion, 1998, etc.) returns to his beloved early medieval period to pursue a story that first attracted his attention at age 14. He acknowledges that the documentary evidence is wispy, stating at one point that what we know of one character could fit on a postcard and in another comparing his chronology to a “leaky vessel on a sea of speculation,” but like all effective historians he can infer much from little. The region he brings to life is Northumberland, near Scotland (whose forces sallied south from time to time on raiding expeditions) and far enough from London that its inhabitants were occasionally resistant to such expressions of central authority as taxation. England had long been victimized by raids and occupations of varying durations, from the Romans and Vikings (meaning “sea raider,” Fletcher reminds) through the Angles/Saxons/Jutes to the Danes and Normans. “Wealth attracts predators,” the author declares; he proceeds to show how that fundamental attraction created bright splashes of blood across the countryside. The first murder occurred at Wiheal, where the unarmed Earl Uhtred of Northumbria was about to submit to the Danish invader Canute, but instead was slaughtered along with 40 of his important (and also unarmed) supporters by a rival named Thurbrand. A feud ensued, with sons and grandsons exchanging eyes for eyes and teeth for teeth in a variety of murder that their culture sanctioned—almost demanded, in fact—to satisfy family honor. Fletcher also explores the role played by the church and the nearly invisible histories of contemporary women, offering as well brief glimpses of the historical Macbeth.
Graceful examination of the intricate tapestry of a culture so distant in time and temperament as to be virtually extraterrestrial. (8 pp. b&w photos, 7 maps, 9 genealogical tables)Pub Date: July 1, 2003
ISBN: 0-19-516136-X
Page Count: 242
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2003
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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