A subtle, careful testament to devotion and a son’s love for his parents.
The Pulitzer Prize–winning fiction writer tells what he knows of the marriage of his loving parents—and what he can never know, as the only child who came between them.
This is a memoir that seems to have been written more for Ford (Let Me Be Frank with You, 2014, etc.) than for his readers, and it reveals as much about the writer as it does about his parents. Neither of these observations implies fault, only that the renowned novelist recognizes how the selection of detail and the limitations of memory inform a narrative and how the writer’s craft inevitably makes the results as much about the writer (and his craft) as his subject. By any standards, this is a singular volume, as peculiarly personal as it is slim. There are two sections, one devoted to each parent: “Gone: Remembering My Father” and “My Mother, In Memory.” The second was written three decades before the first, shortly after his mother’s death. Ford’s father had died much earlier, leaving his mother alone in the world to raise the son she loved, but not in the way she had loved his father. “He was her protector, but she was his,” writes the author. “If it meant that I was further from the middle of things, I have lived my entire life thinking this is the proper way to be a family.” There is some duplication in the material, the few incidents that seemed so significant in the life of each of his parents, recollected separately across a gap of three decades. There is also conjecture, as Ford imagines the lives of each before they met each other—and their life together before they had the child who would change everything. “For all this to be a blissful life,” writes the author, “love is certainly required, and a willingness—on my part—to fill some things in and deflect others.”
A subtle, careful testament to devotion and a son’s love for his parents.Pub Date: May 2, 2017
ISBN: 978-0-06-266188-3
Page Count: 192
Publisher: Ecco/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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