FERREN AND THE ANGEL

An angel and a teenage boy must work together to battle a soulless evil intent on destruction.

Fifteen-year-old Ferren has only known life as one of the People, a “primitive” population on a post-apocalyptic Earth, continually threatened by the war waged by the armies of Heaven. As part of their alliance with the militaristic Humens that Farren’s community in Australia lives in fear of, they are expected to surrender a member each year. First Ferren’s parents were taken by the Humens, and then his older sister was selected, leaving him with a lonely existence. Ferren isn’t close with any of the People; most think he is odd. After a particularly brutal fight between the Humens and angels, the People’s sworn enemies, Ferren stumbles upon Miriael, a wounded angel “in the feminine mode” whom he is fascinated by and restores to health. From Miriael, Ferren comes to a new and shocking understanding of the truth. The story’s strengths hinge on the originality of the premise and worldbuilding; other elements suffer from insufficient depth, however. Apart from unlikely allies Miriael and Ferren, the characters are underdeveloped and fail to intrigue. The intended readership is unclear, as some aspects feel very simple and childlike, in stark contrast to the level of explicit violence. Human characters are minimally described and racially ambiguous; the “tribes” of People are distinguished by the colors of their “loincloths” and “breast-bands.”

Creative and immersive but let down by inconsistencies.