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COLERIDGE

DARKER REFLECTIONS, 1804-1834

This long-awaited second volume completes the definitive biography of the great Romantic; it illuminates how, in the course of great struggles with the demons of addiction and despair, the poet became a philosopher. Many of Coleridge’s contemporaries saw him as an indolent, impecunious, opium-addled political turncoat, issuing wild literary pronouncements while urging that the government prosecute the Napoleonic wars abroad and persecute the English radicals—his erstwhile allies—at home. All this was true enough, Holmes shows. Yet he also shows how Coleridge struggled to overcome his passions with the consolations of philosophy. From a vast array of journal and notebook entries, letters, table talk, and later reminiscences, Holmes assembles a convincing history of the tortured interior life of the thinker who, had he never composed his epochal verses—“The Rime of the Ancient Mariner,” “Kubla Khan,” and “Christabel”—would still stand as the presiding genius of the Romantic movement. Holmes details Coleridge’s tempestous relationship with Wordsworth, his unhappy marriage, his unrequited love for Wordsworth’s sister-in-law, his propensity for drink and laudanum, his horrible bowel ailments, and the disastrous disregard for publication deadlines that left him poor and underpublicized. But the focus is on Coleridge’s indomitable imagination and on the enthusiasm that his ideas generated in friends, like Wordsworth and Charles Lamb, in enemies, like William Hazlitt, and in younger writers like Keats and the Shelleys. Holmes steers his reader through all the moments of crystalline brilliance that eddied out of the stream of Coleridge’s life, while giving a full sense of the messy turbulence of his existence. His critical readings of Coleridge’s verse and prose are pointed and judicious; psychological speculation is clearly marked and kept to a minimum. In a way, Holmes himself needed to speculate little, given the plethora of revealing fantasies scattered through his subject’s poems, prose, notebooks, and monologues. An original among modern egomaniacal geniuses, Coleridge is an ideal subject for biography; yet while he would seem an inexhaustible subject, Holmes’s masterful volumes will probably take at least a generation to digest. (Volume One, Coredidge: Early Visions: 1772—1804, is being simultaneously reissued in trade paperback by Pantheon.)

Pub Date: April 15, 1999

ISBN: 0-679-43847-5

Page Count: 640

Publisher: Pantheon

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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