A worthy series kickoff with riveting characters and a world that readers will want to explore.
Debut author Hummel launches a sci-fi/fantasy series with the story of a young man in a post-apocalyptic America who bonds with a dragon.
Twenty-something Jared Cartwright is on his own in a far-future New York City that’s been ravaged by past nuclear wars. To avoid death by radiation, all humans, including Jared, must periodically inject themselves with microscopic nanites. One day, while searching for supplies, Jared finds a strange rock that generates electricity and visibly agitates the nanites in his injector. Out of curiosity, he injects these nanites into the rock, which turns out to be an egg. A fire dragon hatches; she goes by the name “Scarlet” and communicates with Jared telepathically. Because of their bond, Jared makes a formal vow to Scarlet’s dragon-queen mother to guard and protect her daughter. Fortunately, he also develops newfound abilities—for every hostile, mutated creature he kills, he earns nanites to bolster skills, such as “Heat Sight” and “Maximum Muscle.” Jared furthermore makes it his mission to aid Scarlet in her quest to help dragons re-emerge—as they’ve been hiding from humans underground for millennia. Along the way, Jared and Scarlet face numerous antagonists, including mutated monsters and other human survivors. Hummel’s tale is rife with elements of the LitRPG genre, which offers a fusion of sci-fi/fantasy literature and role-playing games. At the same time, the author also creates intriguing characters and an engaging fictional world. Although the narrative provides little backstory for Jared prior to his parents’ deaths, it meticulously establishes his and Scarlet’s camaraderie; this is helped by the fact that each character typically knows that the other is in trouble almost instantly. There’s also a potpourri of mutated beings, including a group of enslaved humans and some beasts whose mutations seem suspicious. Despite the fact that the story offers abundant exposition (via telepathic conversations), Hummel sets a firm pace that puts the heroes into frequent battles and confrontations with other perils.
A worthy series kickoff with riveting characters and a world that readers will want to explore.Pub Date: Nov. 16, 2018
ISBN: 978-1-73233-742-8
Page Count: 492
Publisher: Time Tunnel Media
Review Posted Online: Jan. 15, 2019
Kirkus Reviews Issue: March 1, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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