A goofy, flamboyant, and breathless horror adventure by one of the genre’s sharpest creators.
Supernatural agent “Coop” Cooper returns in an overstuffed, hyperkinetic sequel to The Everything Box (2016).
To recap, inveterate thief Coop is a fast-talking criminal making his way through a supernatural substratum of society. Last time around, he saved the world and has now reluctantly been seconded to the Department of Peculiar Science, a Los Angeles–based task force that deals with all things spooky. “I don’t want a desk,” Coop protests. “I’m a crook. Crooks don’t have desks. We have tools and cars and six ways out of town.” The gang’s all here, including Coop’s partner in crime Morty Ramsey, fellow agents Bayliss and Giselle, and a new addition: Dr. Lupinsky, an Egyptologist who got mixed up in some bad juju and is now a half-cat, half cybernetic octopus, as happens sometimes. There’s not much to the plot, carried along as it is by Kadrey’s manic dialogue, phantasmagorical imagery, and the occasional dirty joke, but it’s plenty for fans of this strain of comic horror. Coop’s boss, Woolrich, orders his team on a new mission: “A simple theft. A local museum has a mummy on display. We’d like to have it instead of them.” What sounds like a simple heist quickly becomes mortal danger when they accidentally awaken Harkhuf, an evil mummy imbued with dark magic, which is totally the worst kind of magic, apparently. Harkhuf seeks a powerful amulet and an ancient book to resurrect his queen, Shemetet. (Yes, this is pretty much the plot of the Brendan Fraser movie; it’s a book that name-checks Bubba Ho-Tep, so just go with it.) Other figures in this cavalcade include an undead mailroom manager plotting revenge; a car salesman given to dressing like the Electric Cowboy; and a cop named Jim Rockford, no less. Readers who appreciate restraint may find this cartoonish adventure overwhelming, but those who want a Quentin Tarantino joint crafted with the juvenile humor of Christopher Moore will find themselves in good company.
A goofy, flamboyant, and breathless horror adventure by one of the genre’s sharpest creators.Pub Date: Feb. 28, 2017
ISBN: 978-0-06-238957-2
Page Count: 448
Publisher: Harper Voyager
Review Posted Online: Dec. 6, 2016
Kirkus Reviews Issue: Dec. 15, 2016
SEEN & HEARD
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
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