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HELLO, HORSE

Provocative, entertaining short fiction.

Eleven strange, sly stories by an intriguing Canadian writer.

Kemick has published a volume of poetry (Caribou Run), an account of his stint in a Passion play (I Am Herod), and a stage production called Amor de Cosmos: A Delusional Musical. The tales here mix whimsy, weirdness, lust, and Canadian politics, bringing to mind George Saunders and the slackers from Wayne’s World. In “Gravity,” two teenagers are paid to make insulting alterations to political campaign signs. The narrator ponders how he’ll miss his life’s “infinite simplicity” when his 16-year-old girlfriend has their baby. In the 50-page “Satellite,” a convent school in a future world of constant fires and smoke has teens and nuns in full habit competing fiercely at ice hockey. In "Patron Saints," infidelity touches a gay couple in Paris, where an escaped tiger roams the streets; one of the men trades quips with a talking dog. At a Canadian teachers’ conference in Cuba in "Sea Change," two attendees struggle to find the enthusiasm for adultery while pro-democracy protests turn into “state-sanctioned violence.” In "Our Overland Offensive to the Sea," a Canadian colonel, "after an RV vacation to Gettysburg," decides to stage a mini civil war in Manitoba with live ammo and some troops dragooned from prison and introduced with their crimes, as in “Carl (Drugs).” Kemick writes with the detail and clarity of good journalism. The prevailing mode is irony, ranging from playful to grotesque, which forms a distancing frame for the author's sympathetic sketches of life’s portions of pain, hope, or confusion. He has a penchant for alternating between things familiar and bizarre. The “simplicity” of the teens’ life in “Gravity,” for instance, includes a mother who “hung herself with a plugged-in strand of Christmas lights.”

Provocative, entertaining short fiction.

Pub Date: Aug. 6, 2024

ISBN: 9781771966078

Page Count: 224

Publisher: Biblioasis

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

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SANDWICH

A moving, hilarious reminder that parenthood, just like life, means constant change.

During an annual beach vacation, a mother confronts her past and learns to move forward.

Her family’s annual trip to Cape Cod is always the highlight of Rocky’s year—even more so now that her children are grown and she cherishes what little time she gets with them. Rocky is deep in the throes of menopause, picking fights with her loving husband and occasionally throwing off her clothes during a hot flash, much to the chagrin of her family. She’s also dealing with her parents, who are crammed into the same small summer house (with one toilet that only occasionally spews sewage everywhere) and who are aging at an alarmingly rapid rate. Rocky’s life is full of change, from her body to her identity—she frequently flashes back to the vacations of years past, when her children were tiny. Although she’s grateful for the family she has, she mourns what she’s lost. Newman (author of the equally wonderful We All Want Impossible Things, 2022) imbues Rocky’s internal struggles with importance and gravity, all while showcasing her very funny observations about life and parenting. She examines motherhood with a raw honesty that few others manage—she remembers the hard parts, the depths of despair, panic, and anxiety that can happen with young children, and she also recounts the joy in a way that never feels saccharine. She has a gift for exploring the real, messy contradictions in human emotions. As Rocky puts it, “This may be the only reason we were put on this earth. To say to each other, I know how you feel.”

A moving, hilarious reminder that parenthood, just like life, means constant change.

Pub Date: June 18, 2024

ISBN: 9780063345164

Page Count: 240

Publisher: Harper/HarperCollins

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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