by Richard Kirshenbaum ‧ RELEASE DATE: Sept. 20, 2011
Kirshenbaum submits a vibrant, educational look at his days as creative director of his New York City advertising company.
“Advertising people by nature tend to be quirky, fun, and loquacious,” which may only be half true, but the author certainly fits snuggly into that camp. He rose in the industry during the 1980s and cut a broad swath as an unconventional, inventive adman, tackling everything from Reynolds Wrap to cognac. In this jaunty memoir, he starts with a little familial background material before moving on to tales from the trade: encounters with the rich and famous and, better yet, the not-so rich and hardly famous; the crazy shoots; the whole milieu of high-stakes advertising. Yet there is plenty of hard business information in these pages, for Kirshenbaum appreciates discipline, old-school politesse and plain hard work. Much of his wisdom is reduced to aphorisms, and he knows the power of laughter as a business model as well as the fact “that unless you have a killer strategy, you might go down the wrong path creatively.” What stands out in particular is the author’s ability to convey the exigent art of the creative process at work. His outlook is part liberal and socially conscious—he came up with the Kenneth Cole campaign that featured characters du jour: Imelda Marcos and her 2,700 shoes, Dan Quayle and Oliver North (“Isn’t it time America focused less on arms and more on feet?”). Kirshenbaum’s bracing, often ribald humor carries right through the page and onto the sidewalk, where he stenciled such ads as that for Bamboo Lingerie: “From here it looks like you could use some new underwear.” A shimmering piece of work, in which the flash illuminates the creative act.
Pub Date: Sept. 20, 2011
ISBN: 978-1-4532-1144-1
Page Count: 224
Publisher: Open Road Integrated Media
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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