MASKIROVKA

A freshly minted police detective doesn’t believe a man died of natural causes, and his investigation leads all the way to Russia.

In Meredith’s fast-paced thriller, San Francisco homicide detective Steve Nguyen gets his first solo assignment: investigate the death of 31-year-old Luke Miller, an accountant at The Glass Foundation. Established by Julian Glass, an Eastern European transplant with ties to the United States Senate, the foundation supports groups focusing on education, health, and the environment. Steve’s news of Luke’s suspicious death—no forced entry, drugs, or trauma—shocks the foundation’s human resources head, Jennifer Krauss. Although 10 years older than Luke, the two were close friends. Jenn marveled at Luke’s attention to detail, saying he could find “things, little things, buried deep in an audit.” Unknown to anyone except Executive Director Roger Dayton, Luke also found one big thing: a file detailing questionable payments from international companies. Roger, who has ties to Russia, told his Russian contact that Luke discovered the file. The Russian arranged for the accountant’s elimination by an assassin and suggested that Luke may have told Jenn about his discovery. Forget #MeToo: Roger woos his underling to find out. He also helps in bugging her apartment and phone, allowing the Russians to hear what Steve tells her about the investigation’s progress. Meanwhile, Jenn becomes intrigued with Steve. She asks his cousin Tina—a smart-mouthed lawyer—for Steve’s backstory and learns “he’s addled with self-doubt.” Indeed, the detective’s sessions with his therapist add depth to the character and make the book more than a thriller, albeit an exciting one. Meredith’s characters are intriguing, fresh, and flawed. For example, Tina wears her “most revealing blouses to police interrogations. She’d use anything to her advantage, including her well-proportioned figure.” Steve—a Vietnamese American Stanford Law dropout and Bruce Lee look-alike, per Tina—graduated from the University of California at Berkeley at the age of 20. But he now has trouble fitting in as a policeman—“a career not wholly embraced” by his family. The plot, laced with deception and betrayal, seems frighteningly possible. Women and minorities have significant roles; the dialogue is smart; and the descriptions are strong: “It was noon, and the squad room smelled like a food court.”

A taut, timely, terrific thriller.