Essential reading for all children—and adults—who hope for freedom for all.
The story of the first-ever White House Passover seder, celebrated by Barack Obama in 2009.
As the Obama family and their guests come together, staffers Herbie Ziskend, Eric Lesser, and Arun Chaudhary recall last year’s seder, an impromptu gathering held in a hotel basement while the then-senator was on the campaign trail. Like his staffers, Obama was homesick, tired, and struggling to maintain hope against the odds. As he and his family joined Herbie, Eric, and Arun in the ritual retelling of the Israelites’ exodus from slavery in Egypt, they all reflected on how this age-old story still inspired many intertwined struggles for liberation. Obama found the experience so moving that he declared, “Next year in the White House!” The story then flashes forward to 2009 as Michelle Obama calls the event a modern-day miracle: “The descendants of enslaved people are now free to share a meal together in the White House, at the invitation of America’s first Black president.” This elegantly told, behind-the-scenes peek at a momentous historical occasion is simultaneously intimate and solemn, balancing a vision for a more inclusive America with an authentic portrayal of the meaning and rituals of Passover. Lewis’ sophisticated, impressionistic watercolors capture both a sense of grandeur and small moments of tenderness: Herbie, Eric, and Arun sitting in the dingy basement; first daughters Sasha and Malia and their dog Bo searching for the afikomen.
Essential reading for all children—and adults—who hope for freedom for all. (note from Ziskend, Lesser, and Chaudhary; hand-painted Haggadah page; information on the first White House seder, on Black history, and on Passover; photo; recipe for flourless apple apricot cake) (Informational picture book. 5-10)Pub Date: March 4, 2025
ISBN: 9780593711583
Page Count: 40
Publisher: Crown
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: today
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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