A thought-provoking and ultimately moving story that looks at love, human nature, and conservative religion.
In the latest novel from Morris (Canoedling in Cleveland, 2014, etc.), a pair of star-crossed lovers—one Muslim, one Christian—face familial and societal pressures in rural Maryland.
Pre-med student Atif Bhati, the young son of Pakistani Muslim parents, and high school senior Amy Breckenridge, the daughter of a prosperous American dairy farmer, experience personal chemistry almost from the first moment they meet. Early on, Amy expresses curiosity about Islam, and Atif is pleased by her open-mindedness and happy to teach her what he knows. As their relationship deepens, the entrenched beliefs of their parents become more and more problematic, as each family harbors issues about the other’s community and faith. Atif's father, the chief surgeon at a local hospital, is spearheading a movement to build a new mosque for the local Muslim community, and he tells Atif about the town’s mulish opposition and frustrating red tape. The conflicts among the families and townspeople are eventually felt in Atif and Amy’s relationship, as well. Morris braids the various tensions so smoothly into the narrative that even the most hard-line, ideological secondary characters feel believable. But the novel’s main strength is its handling of its simplest plotline: the slow build of Atif and Amy’s romance. Morris fleshes it out with a good deal of humor and sensitivity, which allows him to work in several detailed explorations of theological topics as his characters examine the tenets of Christianity and Islam from various angles. The ending is predictable, but the author keeps the pacing taut as the story plays out against the backdrop of a complicated, modern world.
A thought-provoking and ultimately moving story that looks at love, human nature, and conservative religion.Pub Date: Nov. 10, 2016
ISBN: 978-1-5372-3327-7
Page Count: 272
Publisher: CreateSpace
Review Posted Online: Feb. 27, 2017
Kirkus Reviews Issue: April 1, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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