The epic story of the the contentious publisher and fervent conservative who, along with William Randolph Hearst, was a model for Orson Welles's Citizen Kane. In its heyday, writes Smith (Patriarch, 1993, etc.), there was no paper quite like the Chicago Tribune, the self-proclaimed World's Greatest Newspaper, and McCormick, its editor and publisher, made himself synonymous with the Windy City. At once acerbic and empathetic, the multifaceted Colonel lived many lives- -city official, soldier, inventor, historian, and publisher—but, Smith observes, it is as the begetter of controversies that he is best remembered. McCormick, who joined the Tribune as treasurer after working as president of the Chicago Sanitary District, picked up where his contentious predecessor, maternal grandfather, and early Tribune editor Joseph Medill, left off. Serving in France in 1917, Bert McCormick was promoted to lieutenant colonel and saw heavy action. Returned stateside and established in his sanctum on the 24th floor of the new Tribune Tower, he found in Hoover and Prohibition (and, later, the New Deal Democrats) confirmation of his worst fear: ``an overreaching government enacting laws that resulted in unprecedented lawlessness.'' McCormick's Tribune, a bible to hundreds of small-town editorial writers, waged ceaseless battle with the Colonel's Groton classmate FDR, courting White House ire with revelations of US military plans on the eve of Pearl Harbor and later coming within a hairsbreadth of an espionage indictment over reporting on the Battle of Midway. Consumed with concerns over labor and succession at the Tribune, McCormick spent his final years ``marooned,'' like Kane, a man out of his time. Smith, the first biographer with access to the Colonel's private papers, orchestrates, with an objective eye for ironic detail and a firm grasp of events and their significance, a vivid ensemble of characters on a domestic and international stage. An indispensable guide to an outsize character and his era. (16 pages b&w photos, not seen)
Pub Date: July 1, 1997
ISBN: 0-395-53379-1
Page Count: 612
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1997
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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