Not once, but three different times, Brian Bishop finds himself staring into the "Awful Face of Death." Brian's stunned reactions to the suddenness of death and the ultimate incomprehensibility of a corpse are in stark counterpoint to his other memories of his thirteenth summer. He and his friend Flip subsist largely on sly adolescent wit — chuckling over the inept efforts of English teacher Mabel Klimer to introduce them to POETRY, Brian's mother's fondness for Bacharach, and the frumpish gentility of an old local history book produced by one Estella Winlder Bates; they also fantasize together about their hero, the YMCA swimming teacher whom they nickname Ralph The Free. After the two boys find the body of an old tramp in the woods Flip, who lives up to his name and has a cruel streak besides, encourages Brian in another illusion: perhaps the pathetic fat boy Elvan, who has been trying to interest them in his collection of Nazi souvenirs, knows something more about the tramp's death? Their efforts to build their discovery into a full-scale mystery eventually leads to a real tragedy — a startlingly convincing freak accident which sets the seal to Brian's chronicle of innocence remembered and lost. Less convincing, however, is the implication that Flip is actually responsible for what happens to Elvan. This assignment of guilt by hindsight adds an unsettling dimension to an otherwise finely tuned shocker. Though the fraternal naivete of boarding school life in another generation has been replaced with a kind of wry public school prescience, this ambiguous mixture of nostalgia and guilt is invariably reminiscent of a Separate Peace. The message is somewhat less than meets the eye, but for boys at a certain stage of growing up, Dreamland Lake projects a firm reality.
Pub Date: Aug. 6, 1973
ISBN: 0141308125
Page Count: 147
Publisher: Holt Rinehart & Winston
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Aug. 1, 1973
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.
Superman confronts racism and learns to accept himself with the help of new friends.
In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)Pub Date: May 12, 2020
ISBN: 978-1-77950-421-0
Page Count: 240
Publisher: DC
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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