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ROBERT GRAVES - THE ASSAULT HEROIC, 1895-1926

In this biography of his uncle, Richard Perceval Graves is going over ground well covered before. The subject gave his own version of his youth and WW I experience in his classic memoir Goodbye To All That, and other authors have contributed their versions of his life. This book adds yet another viewpoint—one invaluable to serious students of Graves' life and/or England's legendary group of "war poets." As a family member, Richard had access to a vast amount of memorabilia carefully collected by his father, John—who was Robert's brother and who had planned a biography. With John's death in 1980, the torch passed from father to the son, an experienced biographer himself (The Brothers Powys). The action covered starts several decades before the author's birth, and draws on material that goes back to the 18th century. The period officially treated here is 1895-1926, but this book gives biographies of the poet's father and his German. born mother, Alfred Graves' second wife, so that the stage is well set before Robert makes an appearance. The large, upper-middle-class Edwardian household, Robert's refuge in poetry at public school his war service, and his relationships with Siegfried Sassoon, Laura Riding, and his first wife are documented, often in minute detail. The tone is more formal than American readers may expect. Richard refers to his uncle as "Robert" or "Graves" and prefers to substantiate his conclusions with references to family letters or photographs, rather than family reminiscence. As meticulously researched as this book appears to be, it results in a somewhat slow read. It will fascinate those who already have an interest in the poet—and perhaps only them.

Pub Date: March 1, 1987

ISBN: 0333432177

Page Count: 428

Publisher: Viking

Review Posted Online: May 17, 2012

Kirkus Reviews Issue: Feb. 15, 1987

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DYLAN GOES ELECTRIC!

NEWPORT, SEEGER, DYLAN, AND THE NIGHT THAT SPLIT THE SIXTIES

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...

Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.

The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.

Pub Date: July 25, 2015

ISBN: 978-0-06-236668-9

Page Count: 368

Publisher: Dey Street/HarperCollins

Review Posted Online: May 15, 2015

Kirkus Reviews Issue: June 1, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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