by Richard Pipes ‧ RELEASE DATE: March 21, 1994
In the third volume of his magisterial trilogy, Pipes (History/Harvard), author of The Russian Revolution (1990) and Russia under the Old Regime (1975) completes the story from the Bolshevik takeover in 1918 to the death of Lenin in 1924. Pipes, toward the end of his research, had access to the Central Party Archive in Moscow, and he not only gives the fruits of a lifetime of professional involvement with Russia, but also makes some startling revisions to a subject encrusted with propaganda, disinformation, suppression, and diplomatic reticence. He argues, for example, that the Civil War, far from being forced on the Bolsheviks, was part of their program; that the White Russians never intended the restoration of tsarist autocracy; that virtually the entire intelligentsia, both professional and creative, rejected the Bolshevik dictatorship; that in 1920-21, ``except for its own cadres, the Bolshevik regime had the whole country against it, and even the cadres were rebelling''; and that the 1921 famine in Russia, news of which was minimized by New York Times correspondent Walter Duranty and glossed over in a single paragraph by E.H. Carr in his massive history of the period, was ``the greatest human disaster in European history until then, other than caused by war, since the Black Death.'' The surprising thing, Pipes notes, ``is not that [the Bolsheviks] won the Civil War, but that it took them three years to do it.'' They survived by ``a combination of repression, enforced with unrestrained brutality, and concessions embodied in the New Economic Policy.'' By the time of Lenin's death, Pipes says, every ingredient of Stalin's rule was present except for the murdering of fellow Communists. This book—with the light it casts not only on the major events of the period but also on neglected subjects like culture and religion (the Central Archive shows that Lenin asked for daily reports concerning the number of priests shot)—will give rise to controversy, but it is a monumental achievement, unlikely to be surpassed for many years to come. 75 black and white illustrations- -not seen.
Pub Date: March 21, 1994
ISBN: 0-394-50242-6
Page Count: 608
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1994
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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