Once again, this team (Stephen Biesty's Cross-Sections: Castle, 1994, etc.) invite readers on a fabulous tour that leads from an ``exploded'' view of the human body (all anatomy, skin, clothes, and accessories clearly visible in systematic drawings in which the mustache hovers in front of skin, the skin hovers in front of muscle and bone, etc.), through the geology of the Grand Canyon, and up into the proposed US-Soviet space station. Each of the dozen full-color drawings, whether a two-page spread or an overleaf, is loaded with enough minute, engrossingly accurate detail to deserve repeated viewings. Hundreds of captions explain the construction and function of each of the structure's components: Readers learn not only which countries assembled the space station's various modules, but their separate purposes as well. With an elegance worthy of the best engineering, Biesty demonstrates how a windmill grinds grain into flour; how Hollywood film studios play with perspective in an effort to maximize floor space; and the elaborate system of hydraulics necessary to lift London's famous Tower Bridge. Most importantly, however, these drawings capture their subjects on a scale children will adore: The windmill has ten mice, the steam engine's workers carry their sandwiches underneath their hats, and astronauts on the space station use a zero-gee toilet. These amusing details add another dimension of realism and humanity to the work. A fun-filled ride and fact-packed frolic for the whole family. (index) (Picture book. 6+)
Pub Date: Aug. 1, 1996
ISBN: 0-7894-1024-9
Page Count: 32
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1996
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For the 90's, a handsome, well-documented collection of stories about nine uniquely American characters. In her intelligent introduction, Osborne explains their genesis ``from various combinations of historical fact, the storytelling of ordinary people, and the imagination of professional writers'' and notes that changing times put a new light on stories deriding various groups (including women and even animals). Thus her intention is to emphasize ``gargantuan physical courage and absurd humor'' and to ``bring out the vulnerable and compassionate side'' despite the stories' ``ineradicable taint of violence.'' Osborne succeeds pretty well in her intention, piecing together stories that make fine introductions to characters like Mose and Stormalong. Her approach suits Johnny Appleseed and John Henry better than it does Davy Crockett battling a panther, but she does manage to put a new slant on Pecos Bill and his bouncing bride without undermining the story (there's no question of a wife's disobedience here; Sue wants to ride Bill's horse as a test of skill). The telling is more polished than lively—Glen Rounds's irrepressible wit (Ol' Paul, the Mighty Logger, 1949) is more fun, but these versions are perfectly acceptable. McCurdy's vigorous wood engravings, tinted with lucid color, contribute a rugged frontier flavor; lively, though a bit formal in style, they suit the text admirably. Each story is introduced by source notes; a story-by-story bibliography provides a good roundup of this popular genre. (Folklore. 6-12)
Pub Date: Oct. 1, 1991
ISBN: 0-679-80089-1
Page Count: 116
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1991
BOOK REVIEW
BOOK REVIEW
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