Never one to tread lightly or think small, Powers (Galatea 2.2, 1995, etc.) here tackles 170 years of US capitalism as embodied by a single corporation, binding it to the struggle of a midwestern mom to a cancer most likely caused by the same company’s malfeasance. The candle-and-soap outfit begun in Boston in the 1830s by the three Clare brothers first built a reputation on its medicinal soap, the secret ingredient of which came from a root given the youngest Clare on a surveying expedition to the South Seas. Prosperity came when the brothers were chosen as a soap supplier to the Army, and diversity followed as the ever-expanding company moved into home, industrial, and agricultural commodities. At the turn of the century, Clare Soap and Chemical chose the sleepy town of Lacewood, Illinois, as the site of its Agricultural Products group. Since then, the fate of the town has been tied tightly to the fate of the multinational corporation. None of this matters to Laura Bodey, a competent, plant-loving single mother of two teenagers whose only links to Clare, Inc., are the homebuyers brought into her realty office as a result of the company’s booming business. After being diagnosed with ovarian cancer, however, she begins to become aware of reports concerning widespread industrial pollution by Lacewood’s corporate benefactor. Surgery and chemotherapy fail to keep the monstrous cancer at bay, but even as she grows weaker Laura resists joining a class-action suit against Clare, refusing to believe that any of the company’s products could have done this to her—until confronted by evidence from her beloved garden. The personal story is wrenching in its detail, and the larger point is amply made, but interest in the corporate history itself, which is not only weighty but a tad dull in the balance, proves harder to sustain. Yet another unconventional work from Powers, a novelist who never does the same thing twice, but not his strongest.
Pub Date: June 1, 1998
ISBN: 0-374-15996-3
Page Count: 356
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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