In a startling departure from his earlier work, Powers turns inward for this fictional memoir: an astonishing novel of ideas that never becomes too talky, and is as complex in texture as his other books. The fictional "Richard Powers'' shares not only his creator's name but also his publishing history, which is given a self-effacing, surprisingly personal context here. As a humanist in residence at a science center in a large Midwestern university, "Powers'' finds himself at an emotional and creative impasse. With three much-admired novels under his belt, and a fourth (Operation Wandering Soul, 1993) in the final stages of preparation, "Powers'' reviews his recent long-term relationship that has ended badly and has left him skeptical of the purpose of fiction. Lonely and adrift, he falls under the spell of Dr. Philip Lentz, an obnoxious and arrogant cognitive neurologist who enlists "Powers'' in his half-baked scheme to teach a neural network to read and interpret a Master's reading list in English. Since "Powers' '' lover, "C,'' never felt adequate enough for her talented boyfriend—even as she nurtured his early novels, she drove him away. Now he has the chance to help develop his ideal mate—an artificial intelligence he calls Helen, his ideal woman whose synthetic voice is his constant companion through the bleak winter. Layering his past and present relations, "Powers'' recognizes his human failings, his unreconciled feelings for his dead alcoholic father (the spirit of Prisoner's Dilemma, 1988), and his ongoing struggle between the scientific studies he abandoned and the art for which he sacrifices a tranquil existence. When moments of tenderness intrude on his relentlessly cerebral life, he bemoans what will never be his. Hardly plot-driven but with each sentence carefully crafted, this profound meditation on poetry and physics, theories of epistemology, and literary hermeneutics also asks, amazingly enough, what it means simply to be human. (First printing of 25,000)
Pub Date: June 1, 1995
ISBN: 0-374-19948-5
Page Count: 384
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
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