A cleverly conceived, character-driven, if overstuffed, anthology sure to delight and enchant.
A debut collection of brief stories reflects on the human condition.
Beginning as a campaign to write one tale a week for 50 weeks, Becker’s book spans many literary genres, moods, and situations, all set in a succession of American states. While many stories create mere cursory circumstances sketched over an economy of pages as the subtitle suggests, others are somewhat lengthier, like the opener, “Broken People,” starring an Idaho farmer and father of four. The man aches for absolution years after a tragedy. The irony and sometimes the cruelty of humankind ground much of this collection, making it both thoughtful and relatable. The ways furniture connects to a family unit constitute the Connecticut-set tale “The Lake House”; next-door strangers finally find common ground in “Good Neighbors” just as one family moves away; and ruthless looters take advantage of Oregon’s wildfire season in “Where There’s Smoke.” The volume’s standout quality lies in its variety. Pain and passion intermingle with history and culture (New Orleans Voodoo, Alaska, the circus) while a mixture of spontaneous adventures and deadly consequences saturates many stories, like “Dead Ends,” in which a couple on a Utah desert highway recklessly take a detour. They end up embroiled in a nightmarish government biohazard contamination setting. The Halloween yarn “Shine on You Crazy Diamonds” features a haunted house bedeviling a group of Detroit friends who gathered there as kids. As impressive as some of the longer tales are, the shorter entries can pack the same punch, as in the single-page drama “The Blue Door.” Here, a California woman who abandons her marriage still feels a scintillating pinch of sorrow, freedom, and terror at relinquishing her husband’s “safety net that would never catch her again.” As an anthology, Becker’s book is ultimately satisfying, if uneven in spots. Some stories lack enough narrative definition or distinguishing characteristics to link them to their locations. Still, the varying states of the characters’ minds form a kaleidoscopic array of reflections, regrets, accomplishments, and the stress of both good and bad relationships. Whether melancholy or blissful, each of Becker’s tales offers an engaging coda and even some food for thought for readers who enjoy vivid short stories grounded in humanity.
A cleverly conceived, character-driven, if overstuffed, anthology sure to delight and enchant.Pub Date: July 28, 2021
ISBN: 978-1-00-681115-9
Page Count: 358
Publisher: Blurb
Review Posted Online: Oct. 1, 2021
Kirkus Reviews Issue: Nov. 15, 2021
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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