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THIRD WHEEL

A dark and skillful teenage crime novel with plenty of heart.

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In Becker’s debut novel, a drug-dealing teen makes a series of bad decisions in 1980s Las Vegas.

As the story begins, 14-year-old Brady Wilks expects to spend his upcoming summer partying and playing Dungeons & Dragons with his next-door neighbor Mick. He also plans to engage in low-level drug dealing at the behest of Mick’s friend Alex, who supplies their neighborhood in suburban Las Vegas. Along the way, he also plans to avoid his own mother, with whom he has a difficult relationship. His summer takes a few unexpected turns, though: For one thing, he meets Cheryl, a recent high school graduate; for another, Alex decides to branch out into heroin, which had previously been part of the boys’ world only when they mourned comedian John Belushi’s recent death. Brady soon becomes infatuated with Cheryl, who thinks he’s several years older than he is, and he has little patience for Alex, whom he doesn’t trust. However, he agrees to provide backup firepower for Alex—wielding guns illicitly borrowed from a shop owned by another friend’s father—at a meetup with cartel members in the Nevada desert. Things don’t go as planned, but Brady doesn’t make a complete break from Mick’s entourage until he’s confronted with a problem that involves someone he truly cares about. He ends the summer with a new awareness of himself, his family, and the difficulty of making the right choices.

This bleak but not entirely hopeless coming-of-age novel offers plenty of elements that will keep readers engaged. The book’s 1980s setting is well developed but handled subtly, without focusing on the references to consumer culture that drive many other period pieces; the only “Tab” in the book, for instance, is Brady’s younger sister. The story exists in a fictional universe that recalls Risky Business and John Hughes movies but draws from a much darker and more nihilistic perspective: “Visible scars mean you’ve been in a fight. The invisible ones keep you in it,” Brady muses after evaluating injuries acquired during one of his many violent confrontations. Brady is a challenging protagonist, and Becker balances his flaws and his vulnerabilities well, keeping readers from giving up on him entirely, even as they watch him make one bad call after another. The narrative also offers him a redemption arc that doesn’t neatly tie up all the novel’s loose ends. Although the frequent scenes of teen drug use may be off-putting to some, they generally feel more documentary than prurient—a manifestation of how Brady and his friends try to assert their independence from adults, who are merely background characters. The prose is solid throughout, with a close first-person narrative that shows events from Brady’s perspective, and it has a straightforward tone that keeps the more dramatic scenes from turning into melodrama. Brady’s tendency to draw life lessons from D&D is endearing without feeling overdone, and it allows the book to take an introspective turn without betraying its 14-year-old perspective.

A dark and skillful teenage crime novel with plenty of heart.

Pub Date: Aug. 21, 2023

ISBN: N/A

Page Count: 324

Publisher: Copywrite, Ink

Review Posted Online: July 28, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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SWAN SONG

Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”

A stranger comes to town, and a beloved storyteller plays this creative-writing standby for all it’s worth.

Hilderbrand fans, a vast and devoted legion, will remember Blond Sharon, the notorious island gossip. In what is purportedly the last of the Nantucket novels, Blond Sharon decides to pursue her lifelong dream of fiction writing. In the collective opinion of the island—aka the “cobblestone telegraph”—she’s qualified. “Well, we think, she’s certainly demonstrated her keen interest in other people’s stories, the seedier and more salacious, the better.” Blond Sharon’s first assignment in her online creative writing class is to create a two-person character study, and Hilderbrand has her write up the two who arrive on the ferry in an opening scene of the book, using the same descriptors Hilderbrand has. Amusingly, the class is totally unimpressed. “‘I found it predictable,’ Willow said. ‘Like maybe Sharon used ChatGPT with the prompt “Write a character study about two women getting off the ferry, one prep and one punk.”’” Blond Sharon abandons these characters, but Hilderbrand thankfully does not. They are Kacy Kapenash, daughter of retiring police chief Ed Kapenash (the other swan song referred to by the title), and her new friend Coco Coyle, who has given up her bartending job in the Virgin Islands to become a “personal concierge” for the other strangers-who-have-come-to-town. These are the Richardsons, Bull and Leslee, a wild and wealthy couple who have purchased a $22 million beachfront property and plan to take Nantucket by storm. As the book opens, their house has burned down during an end-of-summer party on their yacht, and Coco is missing, feared both responsible for the fire and dead. Though it’s the last weekend of his tenure, Chief Ed refuses to let the incoming chief, Zara Washington, take this one over. The investigation goes forward in parallel with a review of the summer’s intrigues, love affairs, and festivities. Whatever else you can say about Leslee Richardson, she knows how to throw a party, and Hilderbrand is just the writer to design her invitations, menus, themes, playlists, and outfits. And that hot tub!

Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”

Pub Date: June 11, 2024

ISBN: 9780316258876

Page Count: 384

Publisher: Little, Brown

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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