A riveting, well-judged blend of scientific discovery, mysticism, and personal development.
A young woman with a passionate scientific interest in frog toxins travels to the Amazon jungle and becomes a shaman’s apprentice in this debut novel.
Seventeen-year-old Francine Olivière Gagner of Portage, Michigan, never fit in with most kids, partly because she has hyperesthesia syndrome (she hates being touched, for example) and borderline Asperger’s. She does have a best friend in Melonee Hall; they have different interests, but both are of First Nations heritage. Walking late one night to Fran’s house, Melonee is attacked by Robert Rousch, a knife-wielding man who rants: “I hate you savages. You all need to be scalped.” Though he’s eventually convicted, he serves only a few years before being released. In the meantime, the two friends study martial arts for self-defense, graduate from high school, and share rooms while attending separate colleges. Fran receives a grant to study abroad in French Guiana, where she hopes to learn about poison-dart frogs and their biochemistry. She gets the chance to serve as an apprentice to a village shaman deep in the jungle, a difficult but enlightening process. Returning to the United States with valuable specimens, she—and her toxic frog—has a final confrontation with Rousch. In the first half of his book, Roach tells an engaging but meandering and episodic tale. The story really takes off in the second half with Fran’s intriguing trip to French Guiana. The tests she faces are considerable both mentally and physically, from adopting an unfamiliar tribal language and culture (such as being expected to stay put in a tiny hut during her period) to the shaman’s grueling teaching. Fran is always a scientist first, making her observations of shamanistic practices especially valuable. A satisfying ending ties all of the tale’s strands together nicely.
A riveting, well-judged blend of scientific discovery, mysticism, and personal development.Pub Date: July 8, 2020
ISBN: 978-1-5320-8723-3
Page Count: 316
Publisher: iUniverse
Review Posted Online: Dec. 22, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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