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GETTING TO KNOW YOU!

RODGERS AND HAMMERSTEIN FAVORITES

Wells has illustrated excerpts from well-known songs from Oklahoma, The King and I, Carousel, and South Pacific. In the thick and vibrant colors and large, square format, readers will recognize from My Very First Mother Goose (1996) and Here Comes Mother Goose (1999), her bunnies, guinea pigs, and bison cavort, cuddle, and dance across the pages to Hammerstein’s lyrics. A songbook in a back pocket provides Rodgers’s music (a single line of melody, for vocals). Usually the selection is a single verse, and works perfectly for songs like “Oh! What a Beautiful Morning,” “Oklahoma,” and “Shall We Dance.” However, in too many others, the magic of the music is destroyed in the alteration. “I Whistle a Happy Tune” has lost an entire line, ruining its symmetry. Extremely short versions of “I’m Gonna Wash That Man Right Outa My Hair” and “Some Enchanted Evening” are confusingly abrupt. And tragically, the last segment of “Surrey with the Fringe on Top” rushes to its conclusion: the magically thrice repeated “Don’t you wish’t you’d go on ferever” is written only once on the page. The result is a tune that simply doesn’t work—how does one sing that? Supposedly, these were very deliberate design decisions, and in all other aspects, this is a lovely book—Wells’s warm lines match the mood of the songs perfectly. Families who know these songs might enjoy singing with this as long as they can deal with the missing lyrics. Those unfamiliar with the songs will find the flaws jolting and unsatisfactory. The songbook in the back pocket and serious flaws make this a questionable purchase for libraries. (Nonfiction. 4-8)

Pub Date: Oct. 1, 2002

ISBN: 0-06-027925-7

Page Count: 64

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2002

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JOE LOUIS, MY CHAMPION

One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)

Pub Date: May 1, 2004

ISBN: 1-58430-161-9

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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