After eight fine westerns detailing the exploits of Barnaby Skye as a mountain man during the 1850s and '60s, old pro Wheeler (Sierra, 1996, etc.) fills in the blanks in his colorful protagonist's background—beginning in 1826, when the frontiersman- to-be arrived in North America, through his backwoods apprenticeship in the Rockies. Shanghaied by a press gang off the streets of London at age 14, Skye spends 7 years aboard a Royal Navy frigate before he's able to jump ship at Fort Vancouver. Evading both the British sailors and Hudson's Bay Co. minions directed to bring him back alive, the seaman makes his way to the Columbia River basin. Once slated to attend Cambridge like his merchant father, young Skye hopes to reach Boston, enter Harvard, and secure the education that will ensure him his birthright. Along his wayward way, however, he falls in with friendly Shoshone Indians who conduct him to a so- called Rendezvous, an annual trappers' fair in the Cache Valley, safely outside Canadian jurisdiction. While at this hinterland jamboree, Skye wins the respect of such high-country legends as Jim Bridger and Jebediah Smith; he also encounters Many Quill Woman, the Crow lass who will soon become his wife. Still bent on reaching the New World's Cambridge, Skye then sets out on his own for St. Louis. Soon relieved of his horses and kit by marauding Blackfeet, he has little time to link up with a crew of freelance nimrods before hard snows hit the mountains. After further adventures, he joins forces with his new associates in the Yellowstone area, helps make the beaver trapping season a financial success, and winters with the Crows. Eventually finding the call of the wild a whole lot stronger than the lure of the classroom, Sky marries his dusky maiden and, come spring, sets out with his westering comrades on another hunt. A promising start in what appears to be an absorbing, authoritative series.
Pub Date: Dec. 9, 1997
ISBN: 0-312-86319-5
Page Count: 352
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1997
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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