An auspicious series starter that blends murder, bad medicine, and screwed-up family dynamics.
In Schwartz’s debut mystery, an amiable but flawed private investigator finds himself not only in the midst of two complex cases, but also dealing with a midlife crisis.
Former Mississippi policeman Jack Kendall is pushing 40, and all he has to show for his life is a struggling PI practice that specializes in cheating spouses, a dilapidated house, and a 10-year-old Toyota Camry. He’s never found Miss Right because he always pushes women away when the relationships become serious. As he explains to his best friend, Daniel Steinberg: “You know how I get. When she started talking about moving in together, I sent her packing.” Jack’s latest client is Teresa Lindsay, who suspects that her physician husband, Alan, is having an affair. Jack takes on more responsibilities after Daniel dies during elective surgery and an aggressive malpractice attorney, Cedric Johnson, urges Daniel’s widow, Christine, to sue the anesthesiologist. Jack was already planning to investigate Daniel’s death, but he’s also suspicious of the gold-digging lawyer: “No matter how he looked at it, it just seemed sleazy to approach Christine so soon after losing Daniel.” Neither case is as simple as it seems, as two illegitimate children, a spurned nephew, a dead child, and unethical medical experiments soon come into play. Schwartz skillfully weaves a complex mystery that keeps Jack and his helpers, including police captain Kevin Thomas; Johnson’s associate, Joshua “Josh” Royce; and Josh’s former assistant Stacy Young, in the dark for much of the story. He methodically doles out clues, however, so that readers will be likely to reach the solution before the professional and amateur detectives do. Schwartz fleshes out his characters well, making them believable and, in most cases, likable. Even Jack becomes a more evolved human by novel’s end, as he figures out what’s missing in his life. It all adds up to a fast-paced, challenging thriller that shows promise for future volumes of a planned series.
An auspicious series starter that blends murder, bad medicine, and screwed-up family dynamics.Pub Date: Dec. 4, 2015
ISBN: 978-0-9970965-0-7
Page Count: 398
Publisher: CreateSpace
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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