by Richard Selzer ‧ RELEASE DATE: July 23, 1992
Superbly skilled writer/surgeon Selzer (Imagine a Woman, 1990, etc.) cracks open his psyche's sternum, showing us his heart repairs, then goes about sewing up the wounds while they are still dotted with blood. Now 64, Selzer didn't start writing seriously until he was 40, then retired at 58 to write full time. He finds many likenesses between surgery and writing: ``Writing, like doctoring, has nothing to do with cleverness. It is all diagnosis and feeling....'' His father and mother dominate this memoir, and he's greatly happy that he has fulfilled both their dreams. His mother, a singer forever bursting into arias around the house (even as Selzer here bursts into warblings and subtly shaded songs about yellow meadows of fat and maroon- and salmon-colored inner organs), wanted him to be an artist; his father, a general practitioner, took young Selzer around with him on his house calls and inducted him into the healing art. Much of what Selzer remembers here takes place in his hometown of Troy, N.Y., where prostitution flourished as a leading business during the Depression. Selzer's father doctored to the whores at the Selzer home, and after his death Selzer heard from an aunt that his father was a great womanizer with these clients. In fact, only after his parents' deaths has Selzer faced many family skeletons. His mother's death at 88 and burial in the rain is movingly told: ``There was the trench, like a socket from which the tooth had been pulled. Then the ancient spectacle, full of murmuring and slow gestures. The village of black umbrellas.'' It's his widower mother's attractiveness to suitors that frees Selzer to show us her history as a teenage waterfront songstress, with hints of darker, more reckless days. A marvel as Selzer gives every pain its name—though his nonreading mother called his books all lies.
Pub Date: July 23, 1992
ISBN: 0-688-09715-4
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1992
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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