by Richard Stengel ‧ RELEASE DATE: Oct. 8, 2019
A revealing look at America’s difficult struggle to combat false, misleading narratives.
Former Time editor Stengel (Mandela's Way: Lessons on Life, Love, and Courage, 2010, etc.) offers a gloomy view of America’s efforts in the “battle of ideas” with Russia, the Islamic State group, and other entities.
We “still don’t know how to fight” disinformation, writes the author, who served as Under Secretary of State for Public Diplomacy and Public Affairs from 2013 to 2016. “The truth is, it’s impossible to stop people from creating falsehoods and other people from believing them.” In this refreshingly frank account, Stengel describes his stint in the byzantine State Department, where he focused on countering IS messaging and Russian disinformation in the last years of the Obama administration. With great clarity, he recounts the hurdles he encountered: bureaucratic procedures, acronyms and government-speak, endless vetting and turf battles, all of which slowed efforts to bring his print-oriented office into the era of social media. Foreign-service officers with no media experience insisted it was “easy” to create content. He was also greatly hampered by the very openness of American society, which info-savvy IS and Putin used to their advantage. Most of his book details the creation of a messaging coalition with Arab nations to thwart incessant “out-tweeting” by “digital jihadis” bent on undermining the U.S. with messages and videos on kidnappings and beheadings of Americans. “Not everyone can afford an F-35,” writes Stengel, “but anyone can launch a tweet.” Even so, few in government were tweeting. One exception, social media guru and Ambassador to Ukraine Geoff Pyatt, warned, “we are being out-messaged by the Russians….They don’t feel the need to be truthful.” Stengel relates the thinking of participants in the information war in ways that bring the dangers of this global messaging onslaught home. He notes how IS migrated to the dark web as a result of U.S. counterefforts, and he argues that artificial intelligence has great potential to detect and delete false information.
A revealing look at America’s difficult struggle to combat false, misleading narratives.Pub Date: Oct. 8, 2019
ISBN: 978-0-8021-4798-1
Page Count: 368
Publisher: Atlantic Monthly
Review Posted Online: Aug. 6, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou
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by Maya Angelou
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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