Tense and spooky, with vivid characters that inspire strong feeling; a good new start built on a well-established foundation.
A looming invasion by extradimensional creatures demonstrates just how dangerous it is to forget the lessons of the past.
At the end of The Trials of Empire (2024), Lord Regent Konrad Vonvalt strongly encouraged the Empire of Sova to become a republic, stop fighting wars of conquest, and reject the study of most kinds of magick, especially that which involved contact with other planes of existence. Set 200 years later, this opener of a sequel series to the Empire of the Wolf books argues that getting one out of three is very, very bad. The Republic is an Empire again, a religious schism has led to a fierce war between Sova and the Principality of Casimir in their colonial territories, and worst of all, successfully adhering to the third stricture has left the Sovans without the magickal resources they will soon desperately need. Two monks of a heretical sect report that communication with the afterlife has ceased, portending an ominous event known as the Great Silence. To gain more information about this phenomenon, an ambassadorial mission sets out to negotiate with the mer-men, who still retain their magickal knowledge. At roughly the same time, a nobly born lieutenant with a purchased commission but no real stomach for battle is posted to the frontier, where he must contend with constant screaming from no visible source, bloody hallucinations, and gruesome murders with no obvious perpetrator. And a viciously classist nobleman with an enthusiasm for forbidden magicks investigates a mysterious plague that robs people of their minds, plotting to turn the calamity to his own selfish purposes. Naturally, these plotlines eventually converge. Authors who write follow-ups to trilogies that climax with an apocalypse-averting epic battle generally have difficulty in raising or resetting the stakes convincingly in those new installments. Swan actually succeeds in making his continuation seem organic, as the bittersweet ending to the first trilogy, added to his obvious acknowledgment both of real-life history’s cyclical nature and humanity’s collective tendency to forget the useful lessons of the past, make this reset seem plausible and not a mere retread of what came before. Plus, the eldritch abominations he conjures are genuinely frightening.
Tense and spooky, with vivid characters that inspire strong feeling; a good new start built on a well-established foundation.Pub Date: Feb. 4, 2025
ISBN: 9780316577007
Page Count: 464
Publisher: Orbit
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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