A historically bold—and artistically inventive—dramatization of political intrigue.
In this thriller set in the 1960s, an American soldier becomes caught in a secret war between the FBI and the CIA.
David Dengler is an aspiring spy, a young Army Intelligence recruit on a peculiar training mission in the summer of 1962: keep superstar Marilyn Monroe under close surveillance and compile a comprehensive dossier on her. At first, Dengler can’t believe his luck—such a glamorous first assignment—but quickly discovers that the beautiful celebrity had affairs with both John F. Kennedy and his brother Robert and that she’s arranged to furtively abort a child produced by one of them. Monroe becomes exasperated that neither takes her calls anymore and threatens to call a press conference announcing their indiscretions. Then, a team of CIA assassins shows up at Monroe’s residence to kill her, and Dengler intercedes but is brutally wounded in a struggle. The actress doesn’t survive the attempt on her life, but Dengler manages to escape, now a fugitive on the run. He flees town and hides out in a remote cabin, but the CIA is hot on his trail and intent on silencing him. FBI Director J. Edgar Hoover reveals to Dengler that the CIA and the bureau are locked in a power struggle that involves organized crime, the Cuban missile crisis, and the presidency. Hoover invites Dengler to join a clandestine group within the FBI—the “Q Force”—under a new identity to help counter the nefarious activities of the CIA. Taylor (The Devouring, 2016, etc.) ingeniously concocts a revisionist history of intramural espionage in the United States during the ’60s, somehow rendering the utterly absurd deliciously plausible. (At one point, Hoover tells Dengler about the Q Force: “Now they have a new mission: Investigate the murder of Marilyn Monroe and prove the President innocent, or guilty.”) In addition, Dengler is a sumptuously complex protagonist running from inauspicious beginnings in West Virginia and madly in love with a drug-addled prostitute. The plot can border on the exasperatingly entangled, and it isn’t easy to keep the suspense taut for more than 400 pages. But Taylor’s brash narrative never lulls for long, marching relentlessly toward a provocative conclusion.
A historically bold—and artistically inventive—dramatization of political intrigue.Pub Date: Feb. 18, 2009
ISBN: 978-1-4414-8605-9
Page Count: 380
Publisher: CreateSpace
Review Posted Online: May 12, 2017
Kirkus Reviews Issue: July 1, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
