A powerful, visually impactful story of cross-culture relations.
When a Japanese man comes to Canada to claim his family’s samurai armor, he finds healing and peace with a Tłı̨chǫ Dene family.
In a museum in Fort Smith, Northwest Territories, Shinobu, a man from Nagasaki, has arrived to take a suit of samurai armor back to his family. Unfortunately, the museum’s old manager gambled the sword away to a man known as Benny the Bank. With the guidance of Sonny, a Tłı̨chǫ boy, he finds Benny’s place but is attacked and knocked unconscious. Sonny brings him back to his grandmother’s house, and together, with the help of a spirit, he and Ehtsi heal Shinobu’s wounds. After getting to know each other and sharing stories of their respective cultures and connected histories, Ehtsi suggests going together to retrieve the sword peacefully. Van Camp (Dogrib Tłı̨chǫ) was inspired by an actual suit of samurai armor of mysterious provenance at the Northern Life Museum. This is a striking colorized version of his 2015 original. The story and messages of honor, respect, peace, and human connection are powerful and moving. Touching on the impacts of the Second World War on First Nations communities and their link to the atomic bombs dropped on Hiroshima and Nagasaki, an author’s note and two notes from experts in the fields of history and museum education add valuable cultural and historical insights to support the story.
A powerful, visually impactful story of cross-culture relations. (Graphic fiction. 14-adult)Pub Date: Sept. 6, 2022
ISBN: 978-1-77492-040-4
Page Count: 56
Publisher: HighWater Press
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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