by Richard White ‧ RELEASE DATE: May 18, 1992
The adventures of 12-year-old Charlie Prescott rather than Huckleberry Finn—in a ``sequel'' novel by White (Sword of the North, 1983) that's written with the innocent tone of YA literature from a half-century ago, when role models dispensed wisdom and championed ideals. Charlie, occasionally mischievous, runs off the Wind River, Wyoming, schoolteacher when he and one of the local ruffians tie a calf to the bell rope at school. Huck Finn, now a quick-drawing sheriff, reports the incident to Charlie's father, the local newspaper editor, who is eternally vigilant in the fight against injustice. ``Cruelty is an abominable trait,'' says the upright father. ``I would rather see my son a drunkard or a cardsharp than live to see him grow up cruel.'' Finn ordinarily thrills Charlie with tales of his past—which includes stints as cowboy, buffalo hunter, US marshal, and trapper—but he's responsible now. The departed teacher is replaced by mostly responsible Josiah Grey, a black, Harvard-educated Pinkerton detective operating undercover to investigate a gang robbing gold shipments in the area. The Prescotts' maid predicts dire trouble when Mr. Grey signs on, and it soon follows from various sources, including the banker, whose daughter finds that her attraction to Mr. Grey is mutual. Along the way, however, Mr. Grey teaches in school as well as out, offering boxing lessons so that Charlie can protect himself from a bully and explaining the comprehensive nature of friendship. When the narrator is kidnapped by some rabid rednecks, Mr. Grey comes to the rescue. Writing primarily in dialogue, White gives us a coming-of-age story that is good-hearted from beginning to end.
Pub Date: May 18, 1992
ISBN: 0-941423-71-9
Page Count: 300
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1992
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by Richard White ; photographed by Jesse Amble White
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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