by Richard White ‧ RELEASE DATE: May 31, 2011
The railroads may not have advanced civilization in America, notes this sharp-edged history, but they were eminently creative in their destruction.
Latter-day corporatistas will not be pleased with the neo-Marxist slant that eminent historian White (American History/Stanford Univ.; Remembering Ahanagran: Storytelling in a Family’s Past, 1998, etc.) brings to his vigorous account of the 19th-century transcontinental railroads. It is that great scholar of entrepreneurship Joseph Schumpeter whose spirit guides much of White’s book, particularly his notion that capitalism involves “creative destruction,” the constant uprooting of the old for the new in order to sell it all over again. (Think of CDs replacing LPs, and of MP3s replacing CDs.) In the case of the railroads, the creative destruction involved the replacement of one form of corporation with another—and if, as White argues, the 19th-century railroad corporations almost always went bust in the manner of the dotcoms in our own time, the individuals who controlled those corporations mostly did well for themselves. As he writes, “[t]he celebrated creative destruction of capitalism is, it seems, gentle with the rich,” an observation not to be lost in our own time. White peoples the narrative with characters who are fascinating as case studies of the seven deadly sins, such as entrepreneur and wheeler-dealer Tom Scott, who “was not so much tainted by corruption as impregnated with it”; and Samuel Huntington, who railed against Scott for beating him at his own game, complaining that “the devil, the communist, and the Pa. R.R. have united against us.” Huntington opposed Leland Stanford, too, but Stanford was a staunch Republican, and the Republican powers that be warned him that if Huntington’s opposition cost Stanford his Senate seat, “they would punish Huntington by punishing [his] railroad.” And so forth, one alliance conspiring against another—but, as White makes clear, all conspiring to grow rich, and all at the expense of the working people. Excellent big-picture, popularly written history of the Howard Zinn mold, backed by a mountain of research and statistics.
Pub Date: May 31, 2011
ISBN: 978-0-393-06126-0
Page Count: 736
Publisher: Norton
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
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by Richard White ; photographed by Jesse Amble White
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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