by Richard White ‧ RELEASE DATE: May 17, 2022
An entertaining tale of money, power, and malfeasance.
Historical true-crime tale involving an unsolved murder and the tumultuous early years of a prestigious university.
An award-winning historian and MacArthur and Guggenheim fellow, White became intrigued by the unsolved mystery of the death of Jane Stanford (1828-1905), who, with her husband, railroad magnate Leland Stanford, founded a university to memorialize their dead son. When Jane died suddenly in Honolulu, witness statements and an autopsy indicated poisoning, but by the time her body arrived in San Francisco, the notion of a crime had been quashed. White uses the coverup to create a lively detective story exposing “the politics, power struggles, and scandals of Gilded Age San Francisco,” including those that roiled the Palo Alto campus. Jane was wealthy, impetuous, and domineering. The university, intellectually mediocre and struggling financially, “was for all practical purposes” whatever the Stanford family wanted it to be, and its faculty and administration were harassed by Jane’s “whims, convictions, resentments,” and her ardent belief in spiritualism. She was surrounded by bickering servants, duplicitous lawyers, and rivalrous family members, but university trustee George Crothers, Jane’s confidant and legal adviser, worked assiduously to prevent her from undermining her own interests and the future of the university. He agreed with others that a murder trial “could reveal the controversies within the university, resurrect old scandals, and reveal new ones. All this would embarrass and threaten important people and institutions.” Indeed, White believes that Stanford’s death may have saved the university and certainly the job of its president, David Starr Jordan, whom Jane wanted to fire. “Jordan never mastered Jane Stanford while she lived,” writes the author, “but death made her malleable.” He eulogized her with praise. White identifies many individuals with a motive to poison Jane; advised by his brother, Stephen, a writer of crime fiction, he homes in on one culprit. Although at times White’s impressive findings slow the pace, he fashions an engaging narrative.
An entertaining tale of money, power, and malfeasance.Pub Date: May 17, 2022
ISBN: 978-1-324-00433-2
Page Count: 384
Publisher: Norton
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
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by Richard White ; photographed by Jesse Amble White
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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