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THE PIG IN THE SPIGOT

Wilbur’s credentials as a poet are impeccable: a former US Poet Laureate, he has twice won the Pulitzer Prize as well as the National Book Award and has written several previous books of children’s poetry (The Disappearing Alphabet, 1998, etc.), focusing on imaginative wordplay. Unfortunately, stellar achievements as a poet for adults don’t always translate into winning children’s poetry. The 28 short poems in this uneven collection all include the same device of highlighting shorter words that can be found in longer ones, with the particular words spotlighted in italics in the text. When the words sound the same (pig in spigot, ax in taxi, ouch in pouch), the wordplay device works well, and these poems could provide some clever spelling lessons for first or second graders. But when the highlighted words are spelled the same, but pronounced differently (cat in location, gnat in indignation, emu in demure), the wordplay doesn’t really work, and the device of the word within a word (and often the poem itself) becomes more of an academic exercise. Some of the poems are simple and witty; some are almost boring or include words unfamiliar to primary-grade children; and one poem about the devil is nearly predestined to cause trouble in any community with conservative parents looking for untoward influences in children’s books. Siebold (Olive the Other Reindeer, 1997, and the Mr. Lunch series) almost saves the book with his gloriously wacky illustrations, including his own additions of puns both visual and literary. As the poet himself writes, “Now that you’ve read this book; I hope you’ll say / That what you found inside it was OK.” It is OK—for large poetry collections or for avid collectors of Siebold’s work. (Poetry. 7-9)

Pub Date: Oct. 1, 2000

ISBN: 0-15-202019-5

Page Count: 48

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2000

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POCKET POEMS

With an eye toward easy memorization, Katz gathers over 50 short poems from the likes of Emily Dickinson, Valerie Worth, Jack Prelutsky, and Lewis Carroll, to such anonymous gems as “The Burp”—“Pardon me for being rude. / It was not me, it was my food. / It got so lonely down below, / it just popped up to say hello.” Katz includes five of her own verses, and promotes an evident newcomer, Emily George, with four entries. Hafner surrounds every selection with fine-lined cartoons, mostly of animals and children engaged in play, reading, or other familiar activities. Amid the ranks of similar collections, this shiny-faced newcomer may not stand out—but neither will it drift to the bottom of the class. (Picture book/poetry. 7-9)

Pub Date: March 1, 2004

ISBN: 0-525-47172-3

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2004

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DINOSAURS GALORE!

A dozen familiar dinosaurs introduce themselves in verse in this uninspired, if colorful, new animal gallery from the authors of Commotion in the Ocean (2000). Smiling, usually toothily, and sporting an array of diamonds, lightning bolts, spikes and tiger stripes, the garishly colored dinosaurs make an eye-catching show, but their comments seldom measure up to their appearance: “I’m a swimming reptile, / I dive down in the sea. / And when I spot a yummy squid, / I eat it up with glee!” (“Ichthyosaurus”) Next to the likes of Kevin Crotty’s Dinosongs (2000), illustrated by Kurt Vargo, or Jack Prelutsky’s classic Tyrannosaurus Was A Beast (1988), illustrated by Arnold Lobel, there’s not much here to roar about. (Picture book/poetry. 7-9)

Pub Date: March 1, 2005

ISBN: 1-58925-044-3

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2005

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